The Dreamshare Seer

I could if you hadn't turned on the light and shut off my stereo. (title-2xs)

I was having the most wonderful dream. Except you were there, and you were there, and you were there! (title-xs)

Um, is this the boring, peaceful kind of taking to the streets? (title-sm)

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-base)

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-md)

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-lg)

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-xl)

Isn't it true that you have been paid for your testimony? (title-2xl)

In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-2xs)

Isn't it true that you have been paid for your testimony? (text-xs)

I'm sorry, Dave. I'm afraid I can't do that. (text-sm)

Um, is this the boring, peaceful kind of taking to the streets? (text-md)

I was having the most wonderful dream. Except you were there, and you were there, and you were there! (text-lg)

I'm sorry, Dave. I'm afraid I can't do that. (text-xl)

I was having the most wonderful dream. Except you were there, and you were there, and you were there! (text-2xl)

Um, is this the boring, peaceful kind of taking to the streets? (text-3xl)

In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-4xl)

I found what I need. And it's not friends, it's things. (text-5xl)

Um, is this the boring, peaceful kind of taking to the streets? (text-6xl)

I found what I need. And it's not friends, it's things. (text-7xl)

I could if you hadn't turned on the light and shut off my stereo. (text-8xl)

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Really?! Bender?! You stole the atom.

When will that be?

Isn't it true that you have been paid for your testimony?
Learn more

Daddy Bender, we're hungry.

In our darkest hour, we can stand erect, with proud upthrust bosoms.
Learn more

Hello Morbo, how's the family?

I could if you hadn't turned on the light and shut off my stereo.
Learn more
card-set-images

You're going to do his laundry?

a portrait of Wendy Teo

Can we have Bender Burgers again?

I'm sorry, Dave. I'm afraid I can't do that.
a portrait of Wendy Teo

Daddy Bender, we're hungry.

I could if you hadn't turned on the light and shut off my stereo.
a portrait of Wendy Teo

Really?! Bender?! You stole the atom.

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster.
cta-inline

Can we have Bender Burgers again?

In our darkest hour, we can stand erect, with proud upthrust bosoms.
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hero-content
a portrait of Wendy Teo

Daddy Bender, we're hungry.

I'm sorry, Dave. I'm afraid I can't do that.
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Um, is this the boring, peaceful kind of taking to the streets?

home

A free digital tool that uses generative AI to translate our sleeping dream descriptions into visual animations, creating a collective dream cloud.

Everyone is welcome to explore the Isle of Sheppey’s dreams and to create and privately view the visualisations of their own dreams.
Residents and visitors to the Isle of Sheppey, Kent, are also able to share their dream visualisations publicly by exhibiting them anonymously in our Dream Cloud and Dream Library.

The Dreamshare Seer is also an artwork, a dream archive, an exhibition and a pioneering community citizen science experiment, informed by indigenous knowledge.

Bottom: | Top:

Open to residents and visitors to the Isle of Sheppey, Kent, UK, to share their nocturnal dream descriptions anonymously and see them transformed into visualisations exhibited in the Dream Cloud and the Dream Library.

Or, if you're based anywhere else in the world, you're welcome to explore Sheppey's dreams and to trial this tool with your own dreams too.

Either way, it's free. Please register to begin the process!

Viewer Discretion Advised

The dream has been flagged as potentially Not Safe For Work (NSFW) and may contain material that is offensive or upsetting. Please click the button below to confirm you still wish to view the content. Your selection will be remembered for future dreams.

I am aged 18+, I understand & wish to view

Please be aware that the dreams showcased here are user-submitted and feature AI-generated visuals. While we do our best to identify and warn about potentially unsettling content, if you find any material distressing, we encourage you to seek support on our Getting Help & Support page.

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I could if you hadn't turned on the light and shut off my stereo.

When will that be?

Can we have Bender Burgers again?

Hello Morbo, how's the family?

Can we have Bender Burgers again?

Really?! Bender?! You stole the atom.

Can we have Bender Burgers again?
image
a portrait of Wendy Teo
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Really?! Bender?! You stole the atom.

I could if you hadn't turned on the light and shut off my stereo.
inline-navigation
introduction
And I'm his friend Jesus. Say it in Russian! It's okay, Bender. I like cooking too. When the lights go out, it's nobody's business what goes on between two consenting adults. This opera's as lousy as it is brilliant! Your lyrics lack subtlety. You can't just have your characters announce how they feel. That makes me feel angry!
introduction-with-tabs

Isn't it true that you have been paid for your testimony?

a portrait of Wendy Teo
And yet you haven't said what I told you to say! How can any of us trust you? Is the Space Pope reptilian!? Tell her you just want to talk. It has nothing to do with mating. And remember, don't do anything that affects anything, unless it turns out you were supposed to, in which case, for the love of God, don't not do it!
a portrait of Wendy Teo
This is the worst part. The calm before the battle. Guards! Bring me the forms I need to fill out to have her taken away! If rubbin' frozen dirt in your crotch is wrong, hey I don't wanna be right. You guys realize you live in a sewer, right?
a portrait of Wendy Teo
And I'm his friend Jesus. Say it in Russian! It's okay, Bender. I like cooking too. When the lights go out, it's nobody's business what goes on between two consenting adults. This opera's as lousy as it is brilliant! Your lyrics lack subtlety. You can't just have your characters announce how they feel. That makes me feel angry!
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a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
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Can we have Bender Burgers again?

I was having the most wonderful dream. Except you were there, and you were there, and you were there!
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
main-content
We can't compete with Mom! Her company is big and evil! Ours is small and neutral! I guess if you want children beaten, you have to do it yourself. Wow, you got that off the Internet? In my day, the Internet was only used to download pornography.
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a portrait of Wendy Teo

I found what I need. And it's not friends, it's things.

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Lorem ipsum doler

Really?! Bender?! You stole the atom.

Um, is this the boring, peaceful kind of taking to the streets?

You're going to do his laundry?

I was having the most wonderful dream. Except you were there, and you were there, and you were there!

You're going to do his laundry?

I found what I need. And it's not friends, it's things.
quote
a portrait of Wendy Teo
I could if you hadn't turned on the light and shut off my stereo.
Really?! Bender?! You stole the atom.
Job Title
quote-full-image
a portrait of Wendy Teo
I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster.
Daddy Bender, we're hungry. Job Title
super-title
Can we have Bender Burgers again?

I was having the most wonderful dream. Except you were there, and you were there, and you were there!

team-block

You're going to do his laundry?

I'm sorry, Dave. I'm afraid I can't do that.
a portrait of Welyne Jehom

Welyne Jehom

Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social...
Find out more

a portrait of Welyne Jehom

Welyne Jehom

Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social...
Find out more

a portrait of Welyne Jehom

Welyne Jehom

Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social...
Find out more

Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social Sciences, University Malaya since 2009. She is a Bidayuh from Kuching, Sarawak. She obtained her Master degree in Anthropology from Australian National University (1998) and a PhD in Southeast Asian Studies from the Institute of Development Studies, University of Bonn, Germany (2008). She held the headship of Center for Malaysian Indigenous Studies from 2018 to 2021 at Universiti Malaya. Since 2022, she is the coordinator for the International Master of Human Development Universiti Malaya with Asean University Network, also a board member for Asian Human Development Organisation (AHDO) and heading the People Cluster at Forest Stewardship Council (FSC). Trained in the anthropology of development, her main research and teaching interests are in the fields of Indigenous knowledge and community development, women and empowerment, and material culture, with a focus on Sarawak. She has published scholarly articles in AlterNative: An International Journal of Indigenous Peoples, Indonesia and the Malay World, American Anthropologist and Asian Journal of Women’s Studies. As part of her educational campaign on importance of Indigenous knowledge especially on the pua kumbu intangible knowledge, she has curated major exhibitions of pua kumbu textiles titled Textile Tales of Pua Kumbu, the Sacred Journey at Universiti Malaya Art Gallery (2015 & 2016), the George Town Festival and the Rainforest Fringe Festival (2017) and international gallery in Paris (2018). She was awarded Merdeka Award Thumbs-Up Challenge in Indigenous Knowledge Conservation – Pua Kumbu under Merdeka Award Trust Malaysia, 2016 (Community Engagement and Research). She established a community enterprise for the Iban pua kumbu textile for the weavers in Kapit, Sarawak, derived from High Impact Research (2013-2016) and continues under various grants. Currently, she is managing research on the Developing Indigenous Entrepreneurship Model based on sharing local indigenous life experiences and economies to create a sustainable livelihood in rural Sarawak. Her book recently in press titled Enriching Iban Pua Kumbu: Tradition and Innovation in an Indigenous Society.


https://rhgareh.com/


 


 


Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social Sciences, University Malaya since 2009. She is a Bidayuh from Kuching, Sarawak. She obtained her Master degree in Anthropology from Australian National University (1998) and a PhD in Southeast Asian Studies from the Institute of Development Studies, University of Bonn, Germany (2008). She held the headship of Center for Malaysian Indigenous Studies from 2018 to 2021 at Universiti Malaya. Since 2022, she is the coordinator for the International Master of Human Development Universiti Malaya with Asean University Network, also a board member for Asian Human Development Organisation (AHDO) and heading the People Cluster at Forest Stewardship Council (FSC). Trained in the anthropology of development, her main research and teaching interests are in the fields of Indigenous knowledge and community development, women and empowerment, and material culture, with a focus on Sarawak. She has published scholarly articles in AlterNative: An International Journal of Indigenous Peoples, Indonesia and the Malay World, American Anthropologist and Asian Journal of Women’s Studies. As part of her educational campaign on importance of Indigenous knowledge especially on the pua kumbu intangible knowledge, she has curated major exhibitions of pua kumbu textiles titled Textile Tales of Pua Kumbu, the Sacred Journey at Universiti Malaya Art Gallery (2015 & 2016), the George Town Festival and the Rainforest Fringe Festival (2017) and international gallery in Paris (2018). She was awarded Merdeka Award Thumbs-Up Challenge in Indigenous Knowledge Conservation – Pua Kumbu under Merdeka Award Trust Malaysia, 2016 (Community Engagement and Research). She established a community enterprise for the Iban pua kumbu textile for the weavers in Kapit, Sarawak, derived from High Impact Research (2013-2016) and continues under various grants. Currently, she is managing research on the Developing Indigenous Entrepreneurship Model based on sharing local indigenous life experiences and economies to create a sustainable livelihood in rural Sarawak. Her book recently in press titled Enriching Iban Pua Kumbu: Tradition and Innovation in an Indigenous Society.


https://rhgareh.com/


 


 


Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social Sciences, University Malaya since 2009. She is a Bidayuh from Kuching, Sarawak. She obtained her Master degree in Anthropology from Australian National University (1998) and a PhD in Southeast Asian Studies from the Institute of Development Studies, University of Bonn, Germany (2008). She held the headship of Center for Malaysian Indigenous Studies from 2018 to 2021 at Universiti Malaya. Since 2022, she is the coordinator for the International Master of Human Development Universiti Malaya with Asean University Network, also a board member for Asian Human Development Organisation (AHDO) and heading the People Cluster at Forest Stewardship Council (FSC). Trained in the anthropology of development, her main research and teaching interests are in the fields of Indigenous knowledge and community development, women and empowerment, and material culture, with a focus on Sarawak. She has published scholarly articles in AlterNative: An International Journal of Indigenous Peoples, Indonesia and the Malay World, American Anthropologist and Asian Journal of Women’s Studies. As part of her educational campaign on importance of Indigenous knowledge especially on the pua kumbu intangible knowledge, she has curated major exhibitions of pua kumbu textiles titled Textile Tales of Pua Kumbu, the Sacred Journey at Universiti Malaya Art Gallery (2015 & 2016), the George Town Festival and the Rainforest Fringe Festival (2017) and international gallery in Paris (2018). She was awarded Merdeka Award Thumbs-Up Challenge in Indigenous Knowledge Conservation – Pua Kumbu under Merdeka Award Trust Malaysia, 2016 (Community Engagement and Research). She established a community enterprise for the Iban pua kumbu textile for the weavers in Kapit, Sarawak, derived from High Impact Research (2013-2016) and continues under various grants. Currently, she is managing research on the Developing Indigenous Entrepreneurship Model based on sharing local indigenous life experiences and economies to create a sustainable livelihood in rural Sarawak. Her book recently in press titled Enriching Iban Pua Kumbu: Tradition and Innovation in an Indigenous Society.


https://rhgareh.com/


 


 


team-member

Eddie Wong

A sepia coloured monochrome photographic portrait of the artist Eddie Wong, looking at the camera, next to a screen showing his artwork, with the subtitle showing on that screen saying

Eddie Wong (born 1982) is an interdisciplinary artist and researcher forging new pathways at the intersection of artificial intelligence (AI) and filmmaking. Earning his Master’s degree in Computational Arts from Goldsmiths University of London, Wong has cultivated a unique approach to ‘’machine fictioning’ (mythotechnesis). He utilises machine learning and computational art to scrutinise postcolonial narratives, drawing on his cultural heritage, colonial archives, and ancestral memory. Wong positions himself as an agent of historical events and overlooked communities within a Southeast Asian context, negotiating with AI technologies to probe and explore these themes.

Wong’s diverse body of work, encompassing writing, video art, filmmaking, and interactive installations, has been shown internationally at venues such as SIGGRAPH (Washington D.C), CPH:DOX (Copenhagen), Watermans Gallery (London), Spectacle For Later (London),  +Rainfilm AI Film Festival (Barcelona), MOMA (Shanghai), Arthouse Jersey (Jersey) Doc Edge NZ (Auckland), Melbourne International Animation Festival (Melbourne), Freedom Film Fest (Kuala Lumpur) and ILHAM Art Show (Kuala Lumpur). His arts writing and scholarly research have been featured in notable publications and academic journals like Leonardo MIT Press, Arts Equator, and Art Asia Pacific, and he has given talks at various universities and conferences, including Goldsmiths University, City University Hong Kong and HKUST (China). In recognition of his work, Wong was awarded the Lumen Prize for Moving Image in 2022.

Recently, Wong was selected for the REFLEKT residency (2023-2024) with the Leipzig International Arts Program and Goethe Institute. His current exhibitions include ‘Swallow and Spit’ at A+Works of Art in Kuala Lumpur (2023).

In addition to his artist portfolio, Wong has an extensive academic career. He has lectured, designed curriculums and led graduate-level programs at various arts & design institutions in New Zealand and Malaysia. Based in the heart of Kuala Lumpur, Wong continues to deepen his research on Malaysia, forging new myths and constructing speculative worlds. As a trailblazer in the realm of AI-driven artistry, he conducts workshops aimed at nurturing creativity and fostering ethical innovation at the intersection of art and technology.

https://www.instagram.com/ed_wrong/
https://linktr.ee/eddwong

text-image-combo
a portrait of Wendy Teo

You're going to do his laundry?

I could if you hadn't turned on the light and shut off my stereo.
text-image-set

Can we have Bender Burgers again?

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster.
title-simple

I was having the most wonderful dream. Except you were there, and you were there, and you were there!

title-two-column-split
Really?! Bender?! You stole the atom.

I'm sorry, Dave. I'm afraid I can't do that.

And I'm his friend Jesus. Say it in Russian! It's okay, Bender. I like cooking too. When the lights go out, it's nobody's business what goes on between two consenting adults. This opera's as lousy as it is brilliant! Your lyrics lack subtlety. You can't just have your characters announce how they feel. That makes me feel angry!
two-column
Fry! Stay back! He's too powerful! Why did you bring us here? I daresay that Fry has discovered the smelliest object in the known universe! I'll tell them you went down prying the wedding ring off his cold, dead finger.
Fry! Stay back! He's too powerful! Why did you bring us here? I daresay that Fry has discovered the smelliest object in the known universe! I'll tell them you went down prying the wedding ring off his cold, dead finger.