The Dreamshare Seer

I could if you hadn't turned on the light and shut off my stereo. (title-2xs)

I found what I need. And it's not friends, it's things. (title-xs)

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-sm)

I found what I need. And it's not friends, it's things. (title-base)

I found what I need. And it's not friends, it's things. (title-md)

I'm sorry, Dave. I'm afraid I can't do that. (title-lg)

I'm sorry, Dave. I'm afraid I can't do that. (title-xl)

I'm sorry, Dave. I'm afraid I can't do that. (title-2xl)

I could if you hadn't turned on the light and shut off my stereo. (text-2xs)

In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-xs)

Isn't it true that you have been paid for your testimony? (text-sm)

I was having the most wonderful dream. Except you were there, and you were there, and you were there! (text-md)

I could if you hadn't turned on the light and shut off my stereo. (text-lg)

I found what I need. And it's not friends, it's things. (text-xl)

In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-2xl)

Isn't it true that you have been paid for your testimony? (text-3xl)

In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-4xl)

I'm sorry, Dave. I'm afraid I can't do that. (text-5xl)

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (text-6xl)

Um, is this the boring, peaceful kind of taking to the streets? (text-7xl)

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (text-8xl)

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With gusto.

Anyone who laughs is a communist!

In our darkest hour, we can stand erect, with proud upthrust bosoms.
Learn more

Hello Morbo, how's the family?

Isn't it true that you have been paid for your testimony?
Learn more

Hello Morbo, how's the family?

I found what I need. And it's not friends, it's things.
Learn more
card-set-images

With gusto.

a portrait of Wendy Teo

Really?! Bender?! You stole the atom.

In our darkest hour, we can stand erect, with proud upthrust bosoms.
a portrait of Wendy Teo

With gusto.

I could if you hadn't turned on the light and shut off my stereo.
a portrait of Wendy Teo

Can we have Bender Burgers again?

I found what I need. And it's not friends, it's things.
cta-inline

Daddy Bender, we're hungry.

Isn't it true that you have been paid for your testimony?
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hero-content
a portrait of Wendy Teo

Anyone who laughs is a communist!

Um, is this the boring, peaceful kind of taking to the streets?
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I could if you hadn't turned on the light and shut off my stereo.

home

Open to everyone

A free digital tool that uses generative AI to translate our sleeping dream descriptions into visual animations, creating a collective dream cloud.

Everyone is welcome to explore the Isle of Sheppey’s dreams and to create and privately view the visualisations of their own dreams.
Residents and visitors to the Isle of Sheppey, Kent, are also able to share their dream visualisations publicly by exhibiting them anonymously in our Dream Cloud and Dream Library.

The Dreamshare Seer is also an artwork, a dream archive, an exhibition and a pioneering community citizen science experiment, informed by indigenous knowledge.

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Open to residents and visitors to the Isle of Sheppey, Kent, UK, to share their nocturnal dream descriptions anonymously and see them transformed into visualisations exhibited in the Dream Cloud and the Dream Library.

Or, if you're based anywhere else in the world, you're welcome to explore Sheppey's dreams and to trial this tool with your own dreams too.

Either way, it's free. Please register to begin the process!

Viewer Discretion Advised

The dream has been flagged as potentially Not Safe For Work (NSFW) and may contain material that is offensive or upsetting. Please click the button below to confirm you still wish to view the content. Your selection will be remembered for future dreams.

I am aged 18+, I understand & wish to view

Please be aware that the dreams showcased here are user-submitted and feature AI-generated visuals. While we do our best to identify and warn about potentially unsettling content, if you find any material distressing, we encourage you to seek support on our Getting Help & Support page.

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Isn't it true that you have been paid for your testimony?

Hello Morbo, how's the family?

Anyone who laughs is a communist!

Daddy Bender, we're hungry.

Hello Morbo, how's the family?
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a portrait of Wendy Teo
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Can we have Bender Burgers again?

I found what I need. And it's not friends, it's things.
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introduction
And I'm his friend Jesus. Say it in Russian! It's okay, Bender. I like cooking too. When the lights go out, it's nobody's business what goes on between two consenting adults. This opera's as lousy as it is brilliant! Your lyrics lack subtlety. You can't just have your characters announce how they feel. That makes me feel angry!
introduction-with-tabs

I found what I need. And it's not friends, it's things.

a portrait of Wendy Teo
Oh, all right, I am. But if anything happens to me, tell them I died robbing some old man. Yep, I remember. They came in last at the Olympics, then retired to promote alcoholic beverages! Yes, except the Dave Matthews Band doesn't rock.
a portrait of Wendy Teo
This is the worst part. The calm before the battle. Guards! Bring me the forms I need to fill out to have her taken away! If rubbin' frozen dirt in your crotch is wrong, hey I don't wanna be right. You guys realize you live in a sewer, right?
a portrait of Wendy Teo
And I'm his friend Jesus. Say it in Russian! It's okay, Bender. I like cooking too. When the lights go out, it's nobody's business what goes on between two consenting adults. This opera's as lousy as it is brilliant! Your lyrics lack subtlety. You can't just have your characters announce how they feel. That makes me feel angry!
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a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
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Really?! Bender?! You stole the atom.

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster.
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
a portrait of Wendy Teo
main-content
Oh, all right, I am. But if anything happens to me, tell them I died robbing some old man. Yep, I remember. They came in last at the Olympics, then retired to promote alcoholic beverages! Yes, except the Dave Matthews Band doesn't rock.
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a portrait of Wendy Teo

I'm sorry, Dave. I'm afraid I can't do that.

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Lorem ipsum doler

Hello Morbo, how's the family?

I'm sorry, Dave. I'm afraid I can't do that.

Daddy Bender, we're hungry.

I'm sorry, Dave. I'm afraid I can't do that.

Anyone who laughs is a communist!

I could if you hadn't turned on the light and shut off my stereo.
pullout-accordion.bkup111224

Lorem ipsum doler

Hello Morbo, how's the family?

I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster.

When will that be?

I could if you hadn't turned on the light and shut off my stereo.

You're going to do his laundry?

I could if you hadn't turned on the light and shut off my stereo.
quote
a portrait of Wendy Teo
I could if you hadn't turned on the light and shut off my stereo.
With gusto.
Job Title
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a portrait of Wendy Teo
I was having the most wonderful dream. Except you were there, and you were there, and you were there!
You're going to do his laundry? Job Title
super-title
Can we have Bender Burgers again?

I found what I need. And it's not friends, it's things.

team-block

Really?! Bender?! You stole the atom.

I was having the most wonderful dream. Except you were there, and you were there, and you were there!
an informal portrait of the artist Ivan Lam, sitting, staring at something out of frame to the right. ~It is night. He wears a white t-shirt and black shorts.

Ivan Lam

Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his...
Find out more

an informal portrait of the artist Ivan Lam, sitting, staring at something out of frame to the right. ~It is night. He wears a white t-shirt and black shorts.

Ivan Lam

Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his...
Find out more

an informal portrait of the artist Ivan Lam, sitting, staring at something out of frame to the right. ~It is night. He wears a white t-shirt and black shorts.

Ivan Lam

Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his...
Find out more

Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his continuous ability to push the boundaries of his art practice. Over the last 23 years his innovative incorporation of printmaking, resin and objects into his paintings add hyper-reality to the natural, distance to the familiar, and pragmatism to pathos. Other dualities and dichotomies abound within his paintings and conceptual works, both harmoniously and in tension, underpinning his enquiries on popular culture, current affairs, art history and autobiography. His practice has recently taken on a more conceptual bias, raising questions around authorship, the role of the artist and the very nature of art itself.


Lam has exhibited widely in the local and international arena and has also garnered multiple awards in a career laden with solo and group exhibitions and collected by reputed institutions in Malaysia, Europe and the USA. He was the first and only Malaysian artist selected to present a one-man project at the inaugural Art Basel Hong Kong in 2013, and was the first Malaysian artist commissioned by Louis Vuitton for their collection in 2014. In 2017, he presented a performance work entitled ‘Curating Human Experiences: Human Experience 66:06:06’ in Kuala Lumpur, and was the only artist from Malaysia invited to create a project for the Karachi Biennale in the same year. Lam was one of four Malaysian artists to represent Malaysia at the country’s first ever National Pavilion at the 58th International Art Exhibition – La Biennale di Venezia in 2019. The work presented, One Inch (2019) explores dualities and dichotomies which sit both harmoniously and in tension in Lam’s work, beguiling the viewer to discover the multiple meanings within. In 2020, he launched ‘The Ivan Lam Giveaway’ an online platform where art is used as a tool to promote action. In 2022, he presents ‘catharsis’ – his most personal and important series to date. Consisting of five large-panelled paintings, ‘catharsis‘ encapsulates Lam’s years of experiencing, understanding and accepting the depths of excruciating physical pain.


Ivan Lam – Biography



Download: Ivan Lam Biography and CV


Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his continuous ability to push the boundaries of his art practice. Over the last 23 years his innovative incorporation of printmaking, resin and objects into his paintings add hyper-reality to the natural, distance to the familiar, and pragmatism to pathos. Other dualities and dichotomies abound within his paintings and conceptual works, both harmoniously and in tension, underpinning his enquiries on popular culture, current affairs, art history and autobiography. His practice has recently taken on a more conceptual bias, raising questions around authorship, the role of the artist and the very nature of art itself.


Lam has exhibited widely in the local and international arena and has also garnered multiple awards in a career laden with solo and group exhibitions and collected by reputed institutions in Malaysia, Europe and the USA. He was the first and only Malaysian artist selected to present a one-man project at the inaugural Art Basel Hong Kong in 2013, and was the first Malaysian artist commissioned by Louis Vuitton for their collection in 2014. In 2017, he presented a performance work entitled ‘Curating Human Experiences: Human Experience 66:06:06’ in Kuala Lumpur, and was the only artist from Malaysia invited to create a project for the Karachi Biennale in the same year. Lam was one of four Malaysian artists to represent Malaysia at the country’s first ever National Pavilion at the 58th International Art Exhibition – La Biennale di Venezia in 2019. The work presented, One Inch (2019) explores dualities and dichotomies which sit both harmoniously and in tension in Lam’s work, beguiling the viewer to discover the multiple meanings within. In 2020, he launched ‘The Ivan Lam Giveaway’ an online platform where art is used as a tool to promote action. In 2022, he presents ‘catharsis’ – his most personal and important series to date. Consisting of five large-panelled paintings, ‘catharsis‘ encapsulates Lam’s years of experiencing, understanding and accepting the depths of excruciating physical pain.


Ivan Lam – Biography



Download: Ivan Lam Biography and CV


Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his continuous ability to push the boundaries of his art practice. Over the last 23 years his innovative incorporation of printmaking, resin and objects into his paintings add hyper-reality to the natural, distance to the familiar, and pragmatism to pathos. Other dualities and dichotomies abound within his paintings and conceptual works, both harmoniously and in tension, underpinning his enquiries on popular culture, current affairs, art history and autobiography. His practice has recently taken on a more conceptual bias, raising questions around authorship, the role of the artist and the very nature of art itself.


Lam has exhibited widely in the local and international arena and has also garnered multiple awards in a career laden with solo and group exhibitions and collected by reputed institutions in Malaysia, Europe and the USA. He was the first and only Malaysian artist selected to present a one-man project at the inaugural Art Basel Hong Kong in 2013, and was the first Malaysian artist commissioned by Louis Vuitton for their collection in 2014. In 2017, he presented a performance work entitled ‘Curating Human Experiences: Human Experience 66:06:06’ in Kuala Lumpur, and was the only artist from Malaysia invited to create a project for the Karachi Biennale in the same year. Lam was one of four Malaysian artists to represent Malaysia at the country’s first ever National Pavilion at the 58th International Art Exhibition – La Biennale di Venezia in 2019. The work presented, One Inch (2019) explores dualities and dichotomies which sit both harmoniously and in tension in Lam’s work, beguiling the viewer to discover the multiple meanings within. In 2020, he launched ‘The Ivan Lam Giveaway’ an online platform where art is used as a tool to promote action. In 2022, he presents ‘catharsis’ – his most personal and important series to date. Consisting of five large-panelled paintings, ‘catharsis‘ encapsulates Lam’s years of experiencing, understanding and accepting the depths of excruciating physical pain.


Ivan Lam – Biography



Download: Ivan Lam Biography and CV


team-member

Khimjoe Lim

Ecologist and herbalist Khimjoe Lim is standing in a lush garden in the centre of the city in Kuala Lumpur. She is laughing at something/someone out of sight to the right of the frame and holding a rake.

Khimjoe Lim is a nature and culture-based educator, facilitator, and devoted practitioner of earth-based traditions and wisdom. With a profound connection and appreciation for the natural world, she has dedicated over a decade of her life to the realms of regenerative farming and landscape design. Khimjoe’s journey is driven by an ardent desire to foster a reconnection between people and the earth, rekindling the sacred bond with Mother Nature.

In pursuit of this vision, Khimjoe took a transformative step by founding Children of Soil in 2017, an organisation that stands as a beacon for guiding individuals in rediscovering their innate connection with the natural world. Through a myriad of initiatives, educational programs, and projects, Children of Soil seeks to instill a deep sense of stewardship for the environment. Khimjoe’s holistic approach encourages individuals to live in harmony with the earth, recognizing the interdependence between humanity and the planet Earth.

https://childrenofsoil.my/

text-image-combo
a portrait of Wendy Teo

Anyone who laughs is a communist!

I could if you hadn't turned on the light and shut off my stereo.
text-image-set

Can we have Bender Burgers again?

I could if you hadn't turned on the light and shut off my stereo.
title-simple

I found what I need. And it's not friends, it's things.

title-two-column-split
Hello Morbo, how's the family?

Um, is this the boring, peaceful kind of taking to the streets?

And I'm his friend Jesus. Say it in Russian! It's okay, Bender. I like cooking too. When the lights go out, it's nobody's business what goes on between two consenting adults. This opera's as lousy as it is brilliant! Your lyrics lack subtlety. You can't just have your characters announce how they feel. That makes me feel angry!
two-column
We can't compete with Mom! Her company is big and evil! Ours is small and neutral! I guess if you want children beaten, you have to do it yourself. Wow, you got that off the Internet? In my day, the Internet was only used to download pornography.
Oh, all right, I am. But if anything happens to me, tell them I died robbing some old man. Yep, I remember. They came in last at the Olympics, then retired to promote alcoholic beverages! Yes, except the Dave Matthews Band doesn't rock.