I could if you hadn't turned on the light and shut off my stereo. (title-2xs)
I found what I need. And it's not friends, it's things. (title-xs)
I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-sm)
I found what I need. And it's not friends, it's things. (title-base)
I found what I need. And it's not friends, it's things. (title-md)
I'm sorry, Dave. I'm afraid I can't do that. (title-lg)
I'm sorry, Dave. I'm afraid I can't do that. (title-xl)
I'm sorry, Dave. I'm afraid I can't do that. (title-2xl)
I could if you hadn't turned on the light and shut off my stereo. (text-2xs)
In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-xs)
Isn't it true that you have been paid for your testimony? (text-sm)
I was having the most wonderful dream. Except you were there, and you were there, and you were there! (text-md)
I could if you hadn't turned on the light and shut off my stereo. (text-lg)
I found what I need. And it's not friends, it's things. (text-xl)
In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-2xl)
Isn't it true that you have been paid for your testimony? (text-3xl)
In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-4xl)
I'm sorry, Dave. I'm afraid I can't do that. (text-5xl)
I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (text-6xl)
Um, is this the boring, peaceful kind of taking to the streets? (text-7xl)
I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (text-8xl)
With gusto.
Hello Morbo, how's the family?
Hello Morbo, how's the family?
With gusto.
Really?! Bender?! You stole the atom.
Can we have Bender Burgers again?
Anyone who laughs is a communist!
I could if you hadn't turned on the light and shut off my stereo.
Open to everyone
A free digital tool that uses generative AI to translate our sleeping dream descriptions into visual animations, creating a collective dream cloud.
Everyone is welcome to explore the Isle of Sheppey’s dreams and to create and privately view the visualisations of their own dreams.
Residents and visitors to the Isle of Sheppey, Kent, are also able to share their dream visualisations publicly by exhibiting them anonymously in our Dream Cloud and Dream Library.
The Dreamshare Seer is also an artwork, a dream archive, an exhibition and a pioneering community citizen science experiment, informed by indigenous knowledge.
Open to residents and visitors to the Isle of Sheppey, Kent, UK,
to share
their nocturnal dream descriptions
anonymously and see them transformed into visualisations
exhibited in the Dream Cloud and
the Dream Library.
Or, if
you're based anywhere else in the world, you're welcome to explore Sheppey's dreams and to trial this tool with your own dreams too.
Either way, it's free. Please register
to begin the process!
Viewer Discretion Advised
The dream has been flagged as potentially Not Safe For Work (NSFW) and may contain material that is offensive or upsetting. Please click the button below to confirm you still wish to view the content. Your selection will be remembered for future dreams.
Please be aware that the dreams showcased here are user-submitted and feature AI-generated visuals. While we do our best to identify and warn about potentially unsettling content, if you find any material distressing, we encourage you to seek support on our Getting Help & Support page.
Can we have Bender Burgers again?
I found what I need. And it's not friends, it's things.
Can we have Bender Burgers again?
With gusto.
Can we have Bender Burgers again?
- 30
- Really?! Bender?! You stole the atom.
- 96unicorns
- You're going to do his laundry?
- 4
- Can we have Bender Burgers again?
- 94
- Anyone who laughs is a communist!
Really?! Bender?! You stole the atom.
Really?! Bender?! You stole the atom.
I'm sorry, Dave. I'm afraid I can't do that.
Lorem ipsum doler
Hello Morbo, how's the family?
Daddy Bender, we're hungry.
Anyone who laughs is a communist!
Lorem ipsum doler
Hello Morbo, how's the family?
When will that be?
You're going to do his laundry?
I could if you hadn't turned on the light and shut off my stereo.
Job Title
I was having the most wonderful dream. Except you were there, and you were there, and you were there!— You're going to do his laundry? Job Title
I found what I need. And it's not friends, it's things.
Really?! Bender?! You stole the atom.
Ivan Lam
Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his...
— Find out
more
Ivan Lam
Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his...
— Find out
more
Ivan Lam
Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his...
— Find out
more
Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his continuous ability to push the boundaries of his art practice. Over the last 23 years his innovative incorporation of printmaking, resin and objects into his paintings add hyper-reality to the natural, distance to the familiar, and pragmatism to pathos. Other dualities and dichotomies abound within his paintings and conceptual works, both harmoniously and in tension, underpinning his enquiries on popular culture, current affairs, art history and autobiography. His practice has recently taken on a more conceptual bias, raising questions around authorship, the role of the artist and the very nature of art itself.
Lam has exhibited widely in the local and international arena and has also garnered multiple awards in a career laden with solo and group exhibitions and collected by reputed institutions in Malaysia, Europe and the USA. He was the first and only Malaysian artist selected to present a one-man project at the inaugural Art Basel Hong Kong in 2013, and was the first Malaysian artist commissioned by Louis Vuitton for their collection in 2014. In 2017, he presented a performance work entitled ‘Curating Human Experiences: Human Experience 66:06:06’ in Kuala Lumpur, and was the only artist from Malaysia invited to create a project for the Karachi Biennale in the same year. Lam was one of four Malaysian artists to represent Malaysia at the country’s first ever National Pavilion at the 58th International Art Exhibition – La Biennale di Venezia in 2019. The work presented, One Inch (2019) explores dualities and dichotomies which sit both harmoniously and in tension in Lam’s work, beguiling the viewer to discover the multiple meanings within. In 2020, he launched ‘The Ivan Lam Giveaway’ an online platform where art is used as a tool to promote action. In 2022, he presents ‘catharsis’ – his most personal and important series to date. Consisting of five large-panelled paintings, ‘catharsis‘ encapsulates Lam’s years of experiencing, understanding and accepting the depths of excruciating physical pain.
Download: Ivan Lam Biography and CV
Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his continuous ability to push the boundaries of his art practice. Over the last 23 years his innovative incorporation of printmaking, resin and objects into his paintings add hyper-reality to the natural, distance to the familiar, and pragmatism to pathos. Other dualities and dichotomies abound within his paintings and conceptual works, both harmoniously and in tension, underpinning his enquiries on popular culture, current affairs, art history and autobiography. His practice has recently taken on a more conceptual bias, raising questions around authorship, the role of the artist and the very nature of art itself.
Lam has exhibited widely in the local and international arena and has also garnered multiple awards in a career laden with solo and group exhibitions and collected by reputed institutions in Malaysia, Europe and the USA. He was the first and only Malaysian artist selected to present a one-man project at the inaugural Art Basel Hong Kong in 2013, and was the first Malaysian artist commissioned by Louis Vuitton for their collection in 2014. In 2017, he presented a performance work entitled ‘Curating Human Experiences: Human Experience 66:06:06’ in Kuala Lumpur, and was the only artist from Malaysia invited to create a project for the Karachi Biennale in the same year. Lam was one of four Malaysian artists to represent Malaysia at the country’s first ever National Pavilion at the 58th International Art Exhibition – La Biennale di Venezia in 2019. The work presented, One Inch (2019) explores dualities and dichotomies which sit both harmoniously and in tension in Lam’s work, beguiling the viewer to discover the multiple meanings within. In 2020, he launched ‘The Ivan Lam Giveaway’ an online platform where art is used as a tool to promote action. In 2022, he presents ‘catharsis’ – his most personal and important series to date. Consisting of five large-panelled paintings, ‘catharsis‘ encapsulates Lam’s years of experiencing, understanding and accepting the depths of excruciating physical pain.
Download: Ivan Lam Biography and CV
Ivan Lam (B. 1975) has earned a reputation as one of Malaysia’s leading contemporary artists for his continuous ability to push the boundaries of his art practice. Over the last 23 years his innovative incorporation of printmaking, resin and objects into his paintings add hyper-reality to the natural, distance to the familiar, and pragmatism to pathos. Other dualities and dichotomies abound within his paintings and conceptual works, both harmoniously and in tension, underpinning his enquiries on popular culture, current affairs, art history and autobiography. His practice has recently taken on a more conceptual bias, raising questions around authorship, the role of the artist and the very nature of art itself.
Lam has exhibited widely in the local and international arena and has also garnered multiple awards in a career laden with solo and group exhibitions and collected by reputed institutions in Malaysia, Europe and the USA. He was the first and only Malaysian artist selected to present a one-man project at the inaugural Art Basel Hong Kong in 2013, and was the first Malaysian artist commissioned by Louis Vuitton for their collection in 2014. In 2017, he presented a performance work entitled ‘Curating Human Experiences: Human Experience 66:06:06’ in Kuala Lumpur, and was the only artist from Malaysia invited to create a project for the Karachi Biennale in the same year. Lam was one of four Malaysian artists to represent Malaysia at the country’s first ever National Pavilion at the 58th International Art Exhibition – La Biennale di Venezia in 2019. The work presented, One Inch (2019) explores dualities and dichotomies which sit both harmoniously and in tension in Lam’s work, beguiling the viewer to discover the multiple meanings within. In 2020, he launched ‘The Ivan Lam Giveaway’ an online platform where art is used as a tool to promote action. In 2022, he presents ‘catharsis’ – his most personal and important series to date. Consisting of five large-panelled paintings, ‘catharsis‘ encapsulates Lam’s years of experiencing, understanding and accepting the depths of excruciating physical pain.
Download: Ivan Lam Biography and CV
Khimjoe Lim
Khimjoe Lim is a nature and culture-based educator, facilitator, and devoted practitioner of earth-based traditions and wisdom. With a profound connection and appreciation for the natural world, she has dedicated over a decade of her life to the realms of regenerative farming and landscape design. Khimjoe’s journey is driven by an ardent desire to foster a reconnection between people and the earth, rekindling the sacred bond with Mother Nature.
In pursuit of this vision, Khimjoe took a transformative step by founding Children of Soil in 2017, an organisation that stands as a beacon for guiding individuals in rediscovering their innate connection with the natural world. Through a myriad of initiatives, educational programs, and projects, Children of Soil seeks to instill a deep sense of stewardship for the environment. Khimjoe’s holistic approach encourages individuals to live in harmony with the earth, recognizing the interdependence between humanity and the planet Earth.