I could if you hadn't turned on the light and shut off my stereo. (title-2xs)
I was having the most wonderful dream. Except you were there, and you were there, and you were there! (title-xs)
Um, is this the boring, peaceful kind of taking to the streets? (title-sm)
I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-base)
I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-md)
I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-lg)
I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster. (title-xl)
Isn't it true that you have been paid for your testimony? (title-2xl)
In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-2xs)
Isn't it true that you have been paid for your testimony? (text-xs)
I'm sorry, Dave. I'm afraid I can't do that. (text-sm)
Um, is this the boring, peaceful kind of taking to the streets? (text-md)
I was having the most wonderful dream. Except you were there, and you were there, and you were there! (text-lg)
I'm sorry, Dave. I'm afraid I can't do that. (text-xl)
I was having the most wonderful dream. Except you were there, and you were there, and you were there! (text-2xl)
Um, is this the boring, peaceful kind of taking to the streets? (text-3xl)
In our darkest hour, we can stand erect, with proud upthrust bosoms. (text-4xl)
I found what I need. And it's not friends, it's things. (text-5xl)
Um, is this the boring, peaceful kind of taking to the streets? (text-6xl)
I found what I need. And it's not friends, it's things. (text-7xl)
I could if you hadn't turned on the light and shut off my stereo. (text-8xl)
Really?! Bender?! You stole the atom.
Daddy Bender, we're hungry.
Hello Morbo, how's the family?
You're going to do his laundry?
Daddy Bender, we're hungry.
Really?! Bender?! You stole the atom.
Daddy Bender, we're hungry.
Um, is this the boring, peaceful kind of taking to the streets?
A free digital tool that uses generative AI to translate our sleeping dream descriptions into visual animations, creating a collective dream cloud.
Everyone is welcome to explore the Isle of Sheppey’s dreams and to create and privately view the visualisations of their own dreams.
Residents and visitors to the Isle of Sheppey, Kent, are also able to share their dream visualisations publicly by exhibiting them anonymously in our Dream Cloud and Dream Library.
The Dreamshare Seer is also an artwork, a dream archive, an exhibition and a pioneering community citizen science experiment, informed by indigenous knowledge.
Open to residents and visitors to the Isle of Sheppey, Kent, UK,
to share
their nocturnal dream descriptions
anonymously and see them transformed into visualisations
exhibited in the Dream Cloud and
the Dream Library.
Or, if
you're based anywhere else in the world, you're welcome to explore Sheppey's dreams and to trial this tool with your own dreams too.
Either way, it's free. Please register
to begin the process!
Viewer Discretion Advised
The dream has been flagged as potentially Not Safe For Work (NSFW) and may contain material that is offensive or upsetting. Please click the button below to confirm you still wish to view the content. Your selection will be remembered for future dreams.
Please be aware that the dreams showcased here are user-submitted and feature AI-generated visuals. While we do our best to identify and warn about potentially unsettling content, if you find any material distressing, we encourage you to seek support on our Getting Help & Support page.
Really?! Bender?! You stole the atom.
Isn't it true that you have been paid for your testimony?
Daddy Bender, we're hungry.
Anyone who laughs is a communist!
Hello Morbo, how's the family?
- 97
- Anyone who laughs is a communist!
- 3unicorns
- Really?! Bender?! You stole the atom.
- 16
- Really?! Bender?! You stole the atom.
- 94
- Daddy Bender, we're hungry.
You're going to do his laundry?
Can we have Bender Burgers again?
I found what I need. And it's not friends, it's things.
Lorem ipsum doler
Really?! Bender?! You stole the atom.
You're going to do his laundry?
You're going to do his laundry?
I'm sorry, Fry, but the galaxy cannot afford to lose another Pine Tree Cluster.— Daddy Bender, we're hungry. Job Title
I was having the most wonderful dream. Except you were there, and you were there, and you were there!
You're going to do his laundry?
Welyne Jehom
Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social...
— Find out
more
Welyne Jehom
Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social...
— Find out
more
Welyne Jehom
Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social...
— Find out
more
Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social Sciences, University Malaya since 2009. She is a Bidayuh from Kuching, Sarawak. She obtained her Master degree in Anthropology from Australian National University (1998) and a PhD in Southeast Asian Studies from the Institute of Development Studies, University of Bonn, Germany (2008). She held the headship of Center for Malaysian Indigenous Studies from 2018 to 2021 at Universiti Malaya. Since 2022, she is the coordinator for the International Master of Human Development Universiti Malaya with Asean University Network, also a board member for Asian Human Development Organisation (AHDO) and heading the People Cluster at Forest Stewardship Council (FSC). Trained in the anthropology of development, her main research and teaching interests are in the fields of Indigenous knowledge and community development, women and empowerment, and material culture, with a focus on Sarawak. She has published scholarly articles in AlterNative: An International Journal of Indigenous Peoples, Indonesia and the Malay World, American Anthropologist and Asian Journal of Women’s Studies. As part of her educational campaign on importance of Indigenous knowledge especially on the pua kumbu intangible knowledge, she has curated major exhibitions of pua kumbu textiles titled Textile Tales of Pua Kumbu, the Sacred Journey at Universiti Malaya Art Gallery (2015 & 2016), the George Town Festival and the Rainforest Fringe Festival (2017) and international gallery in Paris (2018). She was awarded Merdeka Award Thumbs-Up Challenge in Indigenous Knowledge Conservation – Pua Kumbu under Merdeka Award Trust Malaysia, 2016 (Community Engagement and Research). She established a community enterprise for the Iban pua kumbu textile for the weavers in Kapit, Sarawak, derived from High Impact Research (2013-2016) and continues under various grants. Currently, she is managing research on the Developing Indigenous Entrepreneurship Model based on sharing local indigenous life experiences and economies to create a sustainable livelihood in rural Sarawak. Her book recently in press titled Enriching Iban Pua Kumbu: Tradition and Innovation in an Indigenous Society.
Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social Sciences, University Malaya since 2009. She is a Bidayuh from Kuching, Sarawak. She obtained her Master degree in Anthropology from Australian National University (1998) and a PhD in Southeast Asian Studies from the Institute of Development Studies, University of Bonn, Germany (2008). She held the headship of Center for Malaysian Indigenous Studies from 2018 to 2021 at Universiti Malaya. Since 2022, she is the coordinator for the International Master of Human Development Universiti Malaya with Asean University Network, also a board member for Asian Human Development Organisation (AHDO) and heading the People Cluster at Forest Stewardship Council (FSC). Trained in the anthropology of development, her main research and teaching interests are in the fields of Indigenous knowledge and community development, women and empowerment, and material culture, with a focus on Sarawak. She has published scholarly articles in AlterNative: An International Journal of Indigenous Peoples, Indonesia and the Malay World, American Anthropologist and Asian Journal of Women’s Studies. As part of her educational campaign on importance of Indigenous knowledge especially on the pua kumbu intangible knowledge, she has curated major exhibitions of pua kumbu textiles titled Textile Tales of Pua Kumbu, the Sacred Journey at Universiti Malaya Art Gallery (2015 & 2016), the George Town Festival and the Rainforest Fringe Festival (2017) and international gallery in Paris (2018). She was awarded Merdeka Award Thumbs-Up Challenge in Indigenous Knowledge Conservation – Pua Kumbu under Merdeka Award Trust Malaysia, 2016 (Community Engagement and Research). She established a community enterprise for the Iban pua kumbu textile for the weavers in Kapit, Sarawak, derived from High Impact Research (2013-2016) and continues under various grants. Currently, she is managing research on the Developing Indigenous Entrepreneurship Model based on sharing local indigenous life experiences and economies to create a sustainable livelihood in rural Sarawak. Her book recently in press titled Enriching Iban Pua Kumbu: Tradition and Innovation in an Indigenous Society.
Welyne Jeffrey Jehom is a senior lecturer at the Anthropology & Sociology, Faculty of Arts and Social Sciences, University Malaya since 2009. She is a Bidayuh from Kuching, Sarawak. She obtained her Master degree in Anthropology from Australian National University (1998) and a PhD in Southeast Asian Studies from the Institute of Development Studies, University of Bonn, Germany (2008). She held the headship of Center for Malaysian Indigenous Studies from 2018 to 2021 at Universiti Malaya. Since 2022, she is the coordinator for the International Master of Human Development Universiti Malaya with Asean University Network, also a board member for Asian Human Development Organisation (AHDO) and heading the People Cluster at Forest Stewardship Council (FSC). Trained in the anthropology of development, her main research and teaching interests are in the fields of Indigenous knowledge and community development, women and empowerment, and material culture, with a focus on Sarawak. She has published scholarly articles in AlterNative: An International Journal of Indigenous Peoples, Indonesia and the Malay World, American Anthropologist and Asian Journal of Women’s Studies. As part of her educational campaign on importance of Indigenous knowledge especially on the pua kumbu intangible knowledge, she has curated major exhibitions of pua kumbu textiles titled Textile Tales of Pua Kumbu, the Sacred Journey at Universiti Malaya Art Gallery (2015 & 2016), the George Town Festival and the Rainforest Fringe Festival (2017) and international gallery in Paris (2018). She was awarded Merdeka Award Thumbs-Up Challenge in Indigenous Knowledge Conservation – Pua Kumbu under Merdeka Award Trust Malaysia, 2016 (Community Engagement and Research). She established a community enterprise for the Iban pua kumbu textile for the weavers in Kapit, Sarawak, derived from High Impact Research (2013-2016) and continues under various grants. Currently, she is managing research on the Developing Indigenous Entrepreneurship Model based on sharing local indigenous life experiences and economies to create a sustainable livelihood in rural Sarawak. Her book recently in press titled Enriching Iban Pua Kumbu: Tradition and Innovation in an Indigenous Society.
Eddie Wong
Eddie Wong (born 1982) is an interdisciplinary artist and researcher forging new pathways at the intersection of artificial intelligence (AI) and filmmaking. Earning his Master’s degree in Computational Arts from Goldsmiths University of London, Wong has cultivated a unique approach to ‘’machine fictioning’ (mythotechnesis). He utilises machine learning and computational art to scrutinise postcolonial narratives, drawing on his cultural heritage, colonial archives, and ancestral memory. Wong positions himself as an agent of historical events and overlooked communities within a Southeast Asian context, negotiating with AI technologies to probe and explore these themes.
Wong’s diverse body of work, encompassing writing, video art, filmmaking, and interactive installations, has been shown internationally at venues such as SIGGRAPH (Washington D.C), CPH:DOX (Copenhagen), Watermans Gallery (London), Spectacle For Later (London), +Rainfilm AI Film Festival (Barcelona), MOMA (Shanghai), Arthouse Jersey (Jersey) Doc Edge NZ (Auckland), Melbourne International Animation Festival (Melbourne), Freedom Film Fest (Kuala Lumpur) and ILHAM Art Show (Kuala Lumpur). His arts writing and scholarly research have been featured in notable publications and academic journals like Leonardo MIT Press, Arts Equator, and Art Asia Pacific, and he has given talks at various universities and conferences, including Goldsmiths University, City University Hong Kong and HKUST (China). In recognition of his work, Wong was awarded the Lumen Prize for Moving Image in 2022.
Recently, Wong was selected for the REFLEKT residency (2023-2024) with the Leipzig International Arts Program and Goethe Institute. His current exhibitions include ‘Swallow and Spit’ at A+Works of Art in Kuala Lumpur (2023).
In addition to his artist portfolio, Wong has an extensive academic career. He has lectured, designed curriculums and led graduate-level programs at various arts & design institutions in New Zealand and Malaysia. Based in the heart of Kuala Lumpur, Wong continues to deepen his research on Malaysia, forging new myths and constructing speculative worlds. As a trailblazer in the realm of AI-driven artistry, he conducts workshops aimed at nurturing creativity and fostering ethical innovation at the intersection of art and technology.
https://www.instagram.com/ed_wrong/
https://linktr.ee/eddwong